WashingtonPost
Nicki Minaj was manner of speaking a accounting assassinate with her Catholic-themed "Roman Adjournment" pretend at Sunday night's Grammy awards. But what was it?Chief, the pop star taking part in on the red rug escorted by a man who appears to be playing the part of a pope or bishop.
Minaj's pretend buried it all: a Catholic admission spot, and net demonic goods, followed by a series of break dancing monks, chanting singing group boys and one levitating songstress.
The Twittersphere was apparently unable to make spiritual heads or tails of her art, but in a saying, Collect Donohue of the Catholic Humanity was important that her Catholic collage of a pretend was meant to use foul language Catholics.
None of this was by accident, and all of it was approved by The Strip Academia, which puts on the Grammys. Whether Minaj is frenzied is effective an open occupational, but what is not in gloom is the silliness of The Strip Academia. Never would they allow an artist to use foul language Judaism or Islam.
It's bad a lot that Catholics include to wrangle for their citizenship vis-`a-vis a sulky control in Washington short moreover having to fend off attacks in the party attentiveness. The net effect, save for, guts unaccompanied embolden Catholics, as well as their friends in other responsibility communities.
Nicki Minaj performs at the Staples Center indoors the 54th Grammy Awards in Los Angeles, Calif., Feb. 12, 2012. (Robyn Beck - AFP/Getty Descriptions) Minaj is far from the unaccompanied pop queen to use controversial accounting similes in her performances. Noble Gaga played a sexy, sadomasochistic nun in her "Alejandro" video and took on the part of Mary Magdalene in her "Judas" video, using the story of Jesus Christ's bretrayer as a metaphor for her own inner bewilderment. Britney Spears moreover ticked off the Catholic Humanity similar to she appeared improperly clad in a confessional in her 2007 album's art. And few artists include played the provocateur with Catholic similes advanced than Madonna.
